This Course is Now Full


Registration for the January Session opens November 23rd at 9am Pacific Time.


$160 US*


Note: Supplies are sold separately. See details below on how to purchase a supply kit for this workshop or view the supply list to build your own.



This groundbreaking workshop will lead students through a number of projects on silk, cotton, linen, wool, and paper. Through contact printing, immersion baths, bundling and binding techniques, and the magic of indigo, this workshop will explore new, uncharted territory on textiles.


In this workshop students will rust print with flat metal and learn bundling techniques to work with sculptural pieces. The class will make two tannin baths to selectively shift colour while working with binding resist. Additional immersion techniques will be taught with ferrous, tannin, and calcium. A special rust-tea bath will be used to give dramatic results on cloth. Finally students will explore the magic of an iron-reduced indigo vat. This is a very creative exploration of the transformative power of materials to create novel marks and patterns.


This workshop is designed to work for you wherever you are in the world. New content becomes available each week over the course of 8 weeks and will remain available for 3 years from the date of purchase. The last module of the workshop will include one live zoom event.



Included in the Workshop:


• 38 evocative instructional videos.

• Concise written instructions and recipes along with downloadable PDFs.

• Access to a robust Q&A section with instructors answering questions 3x a week.

• One live Zoom event to wrap up the workshop and inspire you on your journey.

• Work with 7 unique immersion baths including indigo.

• Learn a variety of binding techniques including clamp, wrap, and shaped resist.

• Complete the course with a body of work exploring the remarkable patterning potential of tannins, oxides and indigo.


For more detailed information view our Frequently Asked Questions.



*COURSES ARE PRICED IN US DOLLARS TO PERMIT PAYPAL AND EPAYMENTS THROUGH TEACHABLE.

An Overview of the Workshop Topics:

Begin with a Quest

Find your own iron pieces for printing and bundling. We give key suggestions of places to look as well as a backup plan to get what you need.

The Flat Rust Print

Learn techniques and formulas to transfer rust prints onto cloth. Begin with rusted or un-rusted metal.

The Bundle Rust Print

The sculptural possibilities to put pattern on cloth are endless. See new potential in shape and form.

Bound Resist

Discover the mark making potential of bound resist techniques. From clamping to binding, to folding.

The Environmental Print

The rust print can also engage the energy of place. Natalie looks at special projects and working with large pieces.

Tannins & Oxides

The relationship between iron and tannin is fundamental to many natural dye techniques. Learn how to get shade variation through fibre type and tannin choice.

Variations on a Theme

The bundled rust print becomes an entirely new process when conducted in a tannin bath, generating dramatic contrasts and complex patterns.

Combinations and Shifts

Explore ferrous as an immersion bath and discover new colour potentials through combinations of tannin and calcium baths.

Indigo

Indigo brings it all together, providing a complement to the earth palette obtained from tannins and oxides. Patterning takes these works into a new register.

What do I need for this workshop?


We have curated a supply kit to go along with this workshop that has everything you need. Alternatively, students may source their own tannins, indigo, silk, cotton and wools — either locally or from their favourite supplier. Students who already have a well-stocked studio can fill any gaps by purchasing locally or through maiwa.com.

THE TANNINS OXIDES & INDIGO

Supply List


From dye pot to measuring spoon — a list of everything you need to gather for the workshop.



CLICK HERE TO VIEW AND DOWNLOAD THE PDF.

TANNINS OXIDES & INDIGO

Supply Kit


All your tannins, indigo, reducing agents, scours, fabrics and yarns in a kit. Priced at a discount and only available to enrolled students. The easy way to prepare for this workshop. Option to purchase is sent with your registration.


Price $425 CDN (Regular Price $535 CDN)

Free Shipping in North America


Meet Your Instructor:

Natalie Grambow has extensive experience in the textile arts, and a backgound in design, photography and the visual arts. For over a decade she has also established herself as an exceptional art educator and maker. She is an accredited interior designer, has worked in the architectural design field and has taught design theory.

After completing her arts degree at the University of Ottawa, Natalie studied at the École d’Impression Textile à Montréal and later travelled to Asia and Latin America, where she spent six months learning to weave with local Mayan artisans in Guatemala. Shortly after completing the Textile Arts program at Capilano College, she was awarded the BC Craft Association’s Award of Excellence.

Natalie has developed numerous courses and creative workshops. She possesses an astonishing knowledge of process and technique. She has been a core teacher at the Maiwa School of Textiles since 2004. Natalie is also a working artist. She owns her own sustainable textile design company called La Cochenille based in Roberts Creek, Canada.

Natalie works with natural and gathered materials, employing plant dyes and pigments, foraged botanicals, tannins, metal, rusts, printmaking techniques, felting and stitching. She has exhibited her work in Montreal, Vancouver and the Sunshine Coast, and has been commissioned by such clients as the City of North Vancouver. She is a founding member of the Samara Artists Collective, and has completed solo and group residencies for the Sunshine Coast Arts Council and Fibreworks Gallery. 

This course is the culmination of many of Natalie’s deepest interests. It represents decades of artistic exploration into the ways time changes all materials and can play a collaborative role in the mark making process. The textural depth of her work is an echo of the beauty of materials, coupled with the hand of an artisan and the mind of a maker. 



What is the cancellation policy?


Please see our terms of use for our cancellation policy.

See also our Frequently Asked Questions.



How long do I have access?


Students have access to course materials for 3 years from date of purchase. Regular Q&A support is available during the 8 weeks the course runs. We include a robust collection of student questions (and our answers!) for each module of the workshop.

Tannins Oxides & Indigo trailer