This workshop is full and in session.


The next registration opens December 9th at 9am (Pacific Time).


$140 USD*


Workshop begins on September 16th and runs for 7 weeks.


Learn the process of making both pigmented and non-pigmented inks, including classics like iron gall ink as well as inks made from natural dyes like cochineal and lake pigments like weld.


In this workshop students will make a range of inks including water soluble and waterproof inks. The workshop will explore papers, and the basis of pointed pen (flexible) writing. Students will learn how to generalize the procedure of ink making so that it may be applied to any organic or mineral matter. The workshop will also present a discussion of journaling, writing, books, and creativity.

This workshop is designed to work for you wherever you are in the world. New content becomes available each week over the course of 7 weeks and will remain available for 3 years from the date of purchase. 


Included in the Workshop:


• 21 documentary-style instructional videos.

• Access to a Q&A section with an instructor answering 3 times a week.

• Concise written instructions and recipes along with downloadable PDFs.

• Work with a range of materials including indigo, carbon black, cochineal, weld, gum Arabic and shellac. 

• Learn about ink making as a way to explore materials.

• Consider the history of writing and ink and the future of your own creative practice.


For more detailed information view our Frequently Asked Questions.

*COURSES ARE PRICED IN US DOLLARS TO PERMIT PAYPAL AND E-PAYMENTS THROUGH TEACHABLE.
NOTE: SUPPLIES ARE SOLD SEPARATELY. SEE DETAILS BELOW ON HOW TO PURCHASE A SUPPLY KIT FOR THIS WORKSHOP OR VIEW THE SUPPLY LIST TO BUILD YOUR OWN.


What people are saying about THE INK MAKING WORKSHOP


Learn About:

TRADITIONS OF INK MAKING

Learn about the great historical ink making traditions - from the carbon blacks of China to the Iron Gall inks of Europe.


STOCK SOLUTIONS

Learn the advantage of working with stock solutions and how to formulate them for waterproof and water soluble inks.


CARBON BLACKS

Chinese ink, Egyptian ink, Indian ink, Sumi ink ... all names for the versatile carbon black.

WELD INK & LAKE PIGMENT

Working with the natural dye weld we will make a natural dye lake and use it in two inks.

COCHINEAL INKS
COCHINEAL INKS

We make an extraction from cochineal and use that to make two colours of cochineal ink.

IRON GALL INK

Remarkable in how it behaves and how you formulate it. Tannin and Iron come together to make something special.

PENWORK

An introduction to penwork and "flexy" writing. Learn why a dip pen and nib is still one of the best ways to write or draw.

PAPERS
PAPERS

More important than you might think, the right surface gives your ink the best foundation.

BOOKS

A look at some key books for those with an interest in natural dyes, writing, journals, and letters.

INSPIRATION

A look at how ink and writing can be vectors for a daily art practice and a creative life.

What do I need for this workshop?


We have put together a supply kit for this workshop. You may also source your own supplies — either locally or from your favourite supplier. We are happy to fill any gaps in your list — maiwa.com.


THE INK MAKING WORKSHOP

Supply List


CLICK HERE TO VIEW AND DOWNLOAD THE PDF

THE INK MAKING WORKSHOP

Supply Kit


All your dyes, gum Arabic, shellac, and ingredients in a kit. Includes a palette knife, pen holder, nibs, jars and the Maiwa Natural Dye Journal. Priced at a discount and only available to enrolled students. The easy way to prepare for this workshop. Option to purchase is sent with your registration.


Student Price $204 CDN (Regular Price $255.00 CDN)

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Meet Your Instructor:


The late Tim McLaughlin was interested in natural colour since he began working for Maiwa as a graphic designer in 2002. Together with Charllotte Kwon he wrote and co-directed two documentaries on natural dyes: Indigo: A World of Blue and In Search of Lost Colour: The Story of Natural Dyes. Some of Charllotte’s enthusiasm for natural colour rubbed off on him, and for several years he rethought the study of natural dyes in a fine-arts context: how to use natural dyes to make inks, paints, and pigments. 

Tim also worked as a graphic designer and photographer. His portraits of Banjara women can be found in Textiles of the Banjara: Cloth and Culture of a Wandering Tribe, published in 2016 by Thames and Hudson and co-authored by Tim with Charllotte Kwon. 

Tim received a Masters Degree in Philosophy of Science from the University of Western Ontario. He completed two residencies at the Banff Centre for the Arts. Tim taught the Ink Making course at the Penland School of Craft in 2023. His works have been exhibited at the Penland Gallery, North Carolina, and at a number of venues in and around Vancouver, Canada. Excerpts from his journals, ink projects, photography and other writing can be found at TMCL.CA. Ink making posted to instagram at @artisan_ink.





Legacy of an Ink Maker


Tim McLaughlin’s dedication to the art, craft, and science of natural dyeing and the joy and thoughtfulness with which he shared his knowledge with all of us will forever be remembered. ⁣

One of his many legacies will continue through his workshops he created for the Maiwa School of Textiles. 

We want to assure you that the Natural Dye: Alchemy, Chemistry, Craft and the Ink Making Workshop will continue, honouring Tim McLaughlin’s legacy and the collective commitment we share to explore, create, and celebrate the wonders of natural dyeing. 

While no one can replace Tim, we are dedicated to finding a way to carry on the teachings and knowledge he so creatively shared with all of us. 

Tim McLaughlin was not only a teacher but also a mentor, a guide, and a source of inspiration for us all. It is in his memory, and with great respect for the passion he instilled in each of us, that we keep the education part of his legacy alive at this time. 

We understand the significance of this space in fostering creativity, understanding, exploration and a deeper connection to the the world of natural dyeing. 

Let us remember Tim McLaughlin not only for the knowledge he shared but also for the sense of community and passion that flourished under his guidance. Thank you for your understanding, support and commitment to the continuation of the Natural Dye: Alchemy, Chemistry, Craft workshop and the Ink Making Workshop.

What students are saying...

This has been the most wonderful course.

The videos are so well put together (even my partner's ears will perk up when he hears the opening theme music and he'll come over to watch for a purely aesthetic experience :)). Instructions are easy to follow, and I love how you provide historical background on the dyes, as well as the important how-tos. The course has whet my appetite for ink-making and has also flooded me with creative inspi-ration. I would absolutely recommend future iterations of this course to others.


- Madeleine / The Ink Making Workshop

I wanted to let you know how seamless you have made this learning experience for me.

Your knowledge, print and video instruction was very clear and concise. I'm happy with all of the inks made through the various processes/techniques and supplies suggested. I can't wait for the next module to drop and look forward to a follow-up course in the near future!


- Shirley / The Ink Making Workshop

I love this class format.

The videos are so well done, the notes are excellent, and the Q&A has been lively and informative. But one of the best things is the weekly release of new information and being able to work out all the projects on our own time, with our own materials and time to "mull things over". It feels like we're all moving on a slow train and able to take in the scenery. But we also get to go back and look at the videos again.


- Student / The Ink Making Workshop

What is the cancellation policy?


Please see our terms of use for our cancellation policy.

See also our Frequently Asked Questions.


How long do I have access?


Students have access to course materials for 3 years from date of purchase. Regular Q&A support is available during the 7 weeks the course runs. We include a robust collection of student questions (and our answers!) for each module of the workshop.